Although that may seem odd, there are a couple good reasons to set up your pitch correction this way: When you’re done, you’ll have two channels for each pitch-corrected vocal. Okay, with that in mind, here is the signal flow goal we’re going to set up: The key here is that we’re using a digital console and a Dante network and although you can set this up using an analog desk and an audio interface, or with other digital audio networks, this post is going to be based on Dante. I wrote a three-part series on our whole GLD-80/Dante setup starting here if you want more info. Well, enough preamble, let’s get started… Part One: Routing vocal audio through an Ableton channel for processingīefore I jump into our routing configuration, let me give you some information on what I’m working with: we’re using the Allen & Heath GLD-80 digital console with the Audinate Dante I/O card. We’re not using it to “fix terrible vocalists”, but it really has helped locked everything in, and our harmonies and parts now sound noticably tighter.
However, once we got our set up tested and running properly I’ve really been pleasantly blown away by the subtle yet significant impact it’s had.
Tag your worship leader friends! This #autotunefail is AWESOME 😂 #worshipfails #godisgoodĪ post shared by Worship Fails on at 4:52am PDT
